Literature is a huge concept. In order to talk about it more meaningfully, we break it down into styles—groups of writing that use similar effects, themes, or tactics. One of these styles is magic realism.
Magic realism in literature comes from South America. The Colombian writer Gabriel Garcia Marquez is one writer very closely associated with the term. But "magic realism" was actually first used by a German art critic in 1925 to talk about a style of painting. That style of painting—putting magical objects or concepts in a real world—had the same effect as magic realism in literature. However, magic realism wasn't used as a literary term until 1955.
Magic realism is not fantasy. Instead, it is serious, realistic fiction that includes magical or supernatural elements in a real, normal setting. The magical elements in that setting are not seen as magic. They're just part of a world that looks like ours but is slightly different. Magic realism uses these magic elements to help tell very real—not fantastic—stories. In order for magic realism to work, the reader must accept that these magic elements are not necessarily surprising, but just part of the world of the story.
Magic realism is a complicated idea. Some critics say the term is out-of-date now and want a new, more accurate one. Some critics have never liked the term and say it contributes to racism. Instead of letting this type of Latin American writing simply join literature, a new genre was created to avoid taking it seriously.
Magic realism has played a very important role in modern literature. What it will do in the future is today's question. Will it continue to tell serious stories, or will it merge with light fiction and fantasy?
magic realism meaningfully fantastic contributes
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